Bruna. 28. Bisexual. Brazil. I've got a film degree.
Sometimes I post mature content, so I'll ask to only follow me if you're 18+.
This is a multifandom blog. Expect lots of Hannibal and Star Trek. Also Vampire Chronicles. Lots of movies. There will be on occasion rock bands and singers. Also books and TV shows and random stuff.
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“Past Tense, Part I” and “Past Tense, Part II” aired on January 2 and January 9, 1995. They’re part of a long line of Star Trek time travel episodes, but only a few of those time travel episodes visit an Earth that is in the characters’ distant past but the audience’s near future. As such, they are among just a handful of Star Trek stories that take place during the part of the Star Trek mythos where humanity had to overcome its differences to get to the utopia awaiting us in the 2300s.
[…]
Since he wrote that episode of Star Trek, “the militarization of police has gotten even more advanced. They have even more weaponry and seemingly more willingness to use it,” Wolfe told me. “As the SWAT team was coming in [to the Sanctuary District during the riots], they were somewhat careful at least. Today, we probably wouldn’t portray that the same way.”
Yet even if “Past Tense” didn’t predict the future with 100 percent accuracy (which, again, shouldn’t have been its goal to begin with), it remains a chilling look at our present by a TV show looking out its own window in the past and seeing the problems we’re still dealing with today. In many cases, those problems have even gotten much, much worse.
“As a writer, all you can do is be a voice in the wilderness, sometimes. You can yell, ‘Fire!’ but you can’t put it out,” Wolfe says. “It’s disappointing that we’re still grappling with this problem. I certainly would have hoped it would be better by now, and people would be like, ‘Ha! Remember that Deep Space Nine episode that said homelessness would still be a problem in the 2020s? They were so gloomy!’ But one of the themes of the show is that paradise doesn’t come for free. Even if it does get handed to you, you have to continually work to protect it and renew it and advance it.”Emily VanDerWerff
ben sisko introducing his crew to folks like welcome to the station this place
has everything! my beloved son. my guerrilla daughter. my competent
fucklord female dad. her giant belarusian husband. my hyperactive gay
nephew. the alien spy who makes all my clothes. a slimy cop (not
entirely a metaphor). a venture capitalist brought low by the whims of
the market. the world’s most unlucky irish man. his beautiful wife. my beautiful wife :) and this wormhole that made me a jesus
It’s not the fact that Bashir grew more quiet and the light left his eyes a little bit that I hold against the writers. He went through a war- I get it. He’s much more fucked up at the end of DS9 than the beginning and he’s less happy. That’s honest story telling even though it makes me sad. My issue is that Garak is literally the only one to imply that he’s changed for the worse because of the Dominion War. And the scene where he does that is only like 2 minutes long and frankly it’s not that satisfying. I would just it to be more clearly framed that what happened to Bashir was a tragedy. No one valued excitable, warm, kinda annoying Bashir except for Garak (also Dax) so of course he’s the only one to notice the change.
there’s that one scene in The Sound Of Her Voice which Kasidy notices to Sisko that Bashir doesn’t talk much anymore and he says he thinks he likes him better this way
anyway she calls him out on it, I think she even describes it as “mean.”
it’s such a little scene, that I think was meant to show various ways in which their relationship can’t handle them both working on the same ship, but also paints the crew in a bit of a damning light
it’s one of the only things Sisko’s ever done or said that made me genuinely disappointed in him (in the character sense that he’s the ultimate dadand he’s not noticing one of his crew is suffering???!!! Sir!), but also based off of all other evidence it really does seem that nobody’s really thinking about excitable, chatterbox Bashir not being that might be a sign that something’s really off?
+ of course what OP says about no one valuing the earlier Bashir :((
also thinks about Bashir in the siege of AR-558: “Funny. I joined Starfleet to save lives.”
i so appreciate the subtle way this got played AND that scene with sisko and kasidy, though it should have been more in the text for sure and i wish THAT could have been ezri’s counselor role in his life (coming in from the outside with her zest for life and lingering memories to say, wow, you seem different, and need help).
but no one else bringing it up at all or only casually, that feels sadly real. they can’t see/appreciate what someone else has lost, with everyone being so inside the war, damaged in their own ways by a still ongoing trauma — sisko more than most of the others because of the weight of his own role. he lost his wife at wolf 359 and that changed him, but season one sisko could never have made the choices he did in “in the pale moonlight.” everything in their world is a darker gray, full of accepted unacceptable losses. their whole reason for being is more closed in, defending the borders instead of looking outward in exploration.
coming of age for julian gets conflated with the relentless pressure of the war. miles or dax, with their experience and closeness with julian, should see it, but they also see him still getting excited about the holoprograms and can still think of him as “sure, julian’s a happy guy, considering.” our good pal julian is “wartime fine” the way we talk about “pandemic fine.” they can’t see it while they’re in it. and maybe it’s too painful to look directly at it so they don’t perceive it at all.
and the fact that sisko, captain dad, brushes it off as a good and normal part of maturing into a good officer with better impulse control, says so much about his state of mind, and what he has sacrificed of himself. it’s one of my favorite moments and it guts me. i wish we’d gotten to see them all heal.
TREKGIFS’STARTREKWEEK (April 5th - 11th) Day Five: Favourite Captain ↳ Captain Benjamin Sisko “So you’re the commander of Deep Space 9… and the Emissary of the Prophets. Decorated combat officer, widower, father, mentor and… oh, yes, the man who started the war with the Dominion. Somehow I thought you’d be taller…”
I was at DragonCon one year when Avery Brooks was on a panel, and a Black dude stood up and talked about how the year DS9 came on, he became the sole custodial guardian of his small son, and he was *terrified* and felt helpless, because he hadn’t really had a father himself, and he didn’t really know any Black fathers he particularly wanted to emulate, and no Black single fathers at all. He talked about how every week he’d put his kid to bed and sit down and watch Deep Space Nine, and think to himself, “Okay, this, I want us to be this kind of father and son,” and how, silly as it might sound, the idea that Ben could be there for Jake, all the time, successfully, and earn his admiration and trust, was the only source he really had of inspiration, the only voice that was telling him he could handle this job.
I swear to fuck there was a whole auditorium of people in tears by the time he was done, including both him and Brooks. It was one of the most beautiful moments I ever saw about the sometimes bloodless-sounding term “representation,” and about fandom in general, and I will never forget it.
[ID: three bust drawings with starry backgrounds. The first is of Sisko, the second is of Odo, and the third is of Kira. Sisko and Kira are both smiling, whereas Odo looks somewhat displeased. End ID]
Star Trek Deep Space Nine’s FARBEYONDTHESTARS aired 23 years ago today, FEBRUARY11,1998
I am a Human being, dammit! You can deny me all you want but you cannot deny Ben Sisko. He exists. That future, that space station, all those people, they exist in here, in my mind.