



JACK: I mean, it turns out the white things are tusks and I mean tusks! And it’s woken, and it’s not happy.
DOCTOR: How could you not know it was there?
JACK: And we’re standing there, fifteen of us, naked
ROSE: Naked?!
JACK: And I’m like, oh, no, no, it’s got nothing to do with me. And then it roars, and we are running. Oh my God, we are running! And Brakovitch falls, so I turn to him and I say
MICKEY: I knew we should’ve turned left!
JACK: That’s my line!
Type 40 by Dreki-K on Deviantart
11 by Dreki-K on Deviantart
Best. Cliffhanger. Resolution. Ever.
The way Jack is sizing him up, though. This is probably the moment he really, really decided “crazy, sexy bastard. I like him”.
Rose is just like
#The ship you shipped for 5 minutes before it broke your heart
hahAHAHAHA NOT COOL
*chokes on own tears*
(via doctorwho)
“Rose is open, honest, heartfelt, to the point of being selfish, wonderfully selfish. Martha is clever, calm, but rarely says what she’s really thinking. Donna is blunt, precise, unfiltered, but with a big heart beneath all the banter. But we come back to what I was saying ages ago about turning characters. If Rose can be selfish, then her finest moments will come when she’s selfless. If Martha keeps quiet, then her moments of revelation - like her goodbye to the Doctor in Last of the Time Lords, or stuck with Milo and Cheen in Gridlock - make her fly. Donna is magnificently self-centred - not selfish, but she pivots everything around herself, as we all do — so when she opens up and hears the Ood song, or begs for Caecilius’ family to be saved, then she’s wonderful.”
- Russell T. Davies on companions
(via letseyx)
#wow this is a fucking brilliant photoset #like wow a++ forever to whoever made this #you’ve done it you’ve won at life #ouch my fucking heart