Bruna. 28. Bisexual. Brazil. I've got a film degree.
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Douglas Mackinnon: Little bit of magic. If you’re careful and you look at the beginning of that shot you’ll discover that Aziraphale isn’t in the car. And then suddenly he is.
Neil Gaiman: Did we magically CGI him or was he just sort of bending down?
Douglas Mackinnon: We CGIed him out. And the other thing that we should know about this car is that the morning that we shot this we - well it was David Tennant - broke the car. He broke the door on Aziraphale’s side, so you couldn’t get in or out of it anymore. It was stuck in, and there was actually a broken window.
Neil Gaiman: Which we had to CGI out.
Douglas Mackinnon: Yeah. So, at the end of the scene - although Aziraphale appears to get out of the car - he can’t.
Neil Gaiman: Because he couldn’t open or close the door.
Douglas Mackinnon: It was a directing cleverness to get him out.
I know I’ve already talked a little bit about Crowley + circling Aziraphale and what it means in my previous post, but I was thinking about it again, and, like. listen.
Crowley did not begin circling Aziraphale until after the Arrangement was put into effect.
The birth of the arrangement is really the birth of “their side.” Because it’s pretty clear that from that point onward, Crowley thinks of it as “us vs them” and “us” is not Hell, it is him and Aziraphale.
Aziraphale won’t admit that they have their own side now, but Crowley never tries to deny it.
But the point is: the first mention of the arrangement, in 1601, and the first time we see Crowley circle around Aziraphale’s back coincide and that is not a coincidence.
From the moment it’s “us,” Crowley takes on the role of protector, because he understands that it won’t have occurred to Aziraphale. Aziraphale is a great many wonderful, contradictory things, but he is not a warrior.
He’s never been suited to war. He isn’t suspicious or distrusting enough for it, and we see that again and again throughout their history.
Crowley, though, is. He’s a demon; he knows the truth of humanity, of Heaven, of Hell. He knows what’s in store for them if they’re caught, and so he keeps watch.
He does it because he’s afraid for them; afraid to be caught and afraid of what will happen if they are. But he’s even more afraid to be caught unaware.
Aziraphale, too, is afraid. He’s constantly pointing out the danger, but specifically the danger to Crowley.
“If Hell finds out, they won’t just be angry,” he says as they stand in the Globe theater, “they’ll destroy you.”
Crowley fears that very thing, too, and that fear only grows as they grow closer.
Aziraphale warns of Hell’s ire in 1601, but Crowley still feels the need to remind him in 1793: “If my people find out I rescued an angel, I’ll be the one in trouble, and my lot do not send rude notes.”
And yet, he still looks out for Aziraphale again and again. He still rescues Aziraphale. He still circles him, quite literally watching his back, when they’re together.
He does his level best to be a barrier between Aziraphale and the rest of the world and he does it without telling Aziraphale that that’s what he’s doing. He makes it look just casual enough that Aziraphale thinks it’s just something that Crowley does, meandering around.
But look. Look. The important thing, the truly important thing, is this:
Even when he’s wearing Aziraphale’s face, Crowley is circling around his angel’s back, scanning their surroundings, keeping watch.
And if you notice, he’s the first taken. Heaven takes “Aziraphale” before Hell can get to “Crowley,” because the real Crowley is the barrier between everyone else and the real Aziraphale, just like he wanted to be.
Crowley is taken first, because despite his fear, that was always his plan.
911 we have an emergency and the emergency is my feelings
This is an absolutely wonderful theory but one thing…if Aziraphale was not a warrior..I mean, yeah..he’s never been to a war..but then why was he assigned the flaming sword in the first place, not all angels are assigned with that certain sword and he is a soldier, he’s at least supposed to know how to fight, so um…* deep breath * allIwanttosayisthathecansavehimself and thankuformytedtalk!
You are very correct in that Aziraphale is indeed a warrior and he was indeed given a flaming sword for a reason, something that not all angels are assigned
That being said, I would like to offer a few counterpoints:
Just because someone can protect themselves, that doesn’t mean that the people who love and care about them stop wanting to protect them. Aziraphale can save himself, but that doesn’t stop Crowley from wanting to prevent a situation where he has to.
Also, I think the show did a pretty amazing job at establishing that while Aziraphale is indeed a warrior of heaven, he is the most reluctant warrior in existence. Aziraphale can fight, but he does not want to fight. I mean, he allows the archangels to not only intimidate but physically harm him without fighting back. I think that says it all about Aziraphale and his desire to fight; he won’t even defend himself.
And that’s the other thing. Not only has Crowley known him since Eden and would absolutely know that Aziraphale doesn’t want to fight, but he’s also probably figured out that Aziraphale is more likely to defend others rather than himself.
Crowley would want to protect him because he knows Aziraphale won’t protect himself, even when he’s in physical danger. Add in the fact that he exhibits the behavior that I’ve theorized above when they’re meeting clandestinely, I would also say that Crowley wants to protect Aziraphale from a physical danger that he, Crowley, is putting Aziraphale in just by meeting with him.
It’s also important to him that Aziraphale not be put into a situation where he has to resort to violence when Crowley knows that he doesn’t want to fight. So, of course, Crowley would make himself a barrier between Aziraphale and the potential danger.
TL;DR, Aziraphale’s ability doesn’t equate to a willingness to fight, and said ability doesn’t negate Crowley’s desire to protect him.