Bruna. 28. Bisexual. Brazil. I've got a film degree.
Sometimes I post mature content, so I'll ask to only follow me if you're 18+.
This is a multifandom blog. Expect lots of Hannibal and Star Trek. Also Vampire Chronicles. Lots of movies. There will be on occasion rock bands and singers. Also books and TV shows and random stuff.
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if y’all don’t think that Crowley absolutely LOVED riding onto that airfield, car ablaze with infernal fire and Queen blasting from the stereo, like some kind of white fucking knight to Aziraphale’s rescue, then you’re outta yer mind.
Because he fucking RELISHED it.
Look at the way he saunters outta that beautiful Bentley. Listen to the flip way he greets Aziraphale—acting all casual—as if he didn’t just spend the entire trip white knuckling it, gritting his teeth and screaming with effort and concentration.
Note that jaunty little compliment he throws out as he swaggers up to his angel all confident and steady. Look at how he dips his ear to his angel—like a knight errant seeking the behest of his beloved.
Then look at how he puffs out his chest and declares that he’ll handle it. Look at that chin held high and proud. He’s on a fucking mission for his angel and he is 1000% just eating that role up. He’s a goddamn hero and he gets to be that in front of and for the one being in the universe he cherishes above all others.
He was fucking MADE for that moment and he fucking loved it.
AnonymousRegarding Buddy Holly: yeah, they were absolutely planning to make it the theme song because originally it was Terry Pratchett's idea, if I'm not mistaken. It's mentioned in one of the script books, it should have started playing right after the "You go too fast for me, Crowley" scene. Aziraphale was supposed to be standing in front of one of the shops with a "halo" above his head, watching the Bentley drive away.
here’s the bit in the script book where gaiman talks about it:
“In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”
i honestly think that crowley was so flippant about the entire holy water business because it never even OCCURRED to him that aziraphale thought he was going to use it to kill himself. like he’s all the way over there whining about his best friend not giving him a cool weapon to kill his enemies and aziraphale is all the way OVER THERE having an existential crisis and analysing 6000 years worth of interactions for signs of depression
