fuckyourstupideyebrows:

y’all 

bryan fuller will still be screaming about garak/garashir in his grave

(more seriously: he has such a genuine love for garak and this ship in general)

amatesura:

You’re not having any vegetables until you eat your meat.

In my personal experience, I would say I’ve experienced more hurtful betrayals by friends than I have lovers, and friendships I’ve had in my life have been every bit as intense as relationships I’ve had that have been sexual, so there’s an aspect of that where nothing quite hurts as badly as a friend betraying you. In an infidelity, that type of betrayal between lovers, you understand the human nature and that the heart wants what it wants, and the draw of sexuality and the temptation of that, so you get how human nature is the betrayer in that situation. When it comes to a friend and it’s not about genitals, it’s about the souls, it cuts much deeper. — Bryan Fuller (x)

worldsworstfather:

i don’t think we really truly appreciate just what bryan fuller did for us when he took the hannibal canon and made it into a homoerotic murder mystery drama with some of the most heartstoppingly beautiful cinematography in the history of television

bakasara:

take a fucking sip babes

margotverger:

Will accepts who Hannibal is. It’s also narcissistic, in the way that we fall in love with people who make us feel better about ourselves and who make us feel like we’re a better version of ourselves. That makes us feel more secure in our bodies, in the dysmorphia of who you are on the inside versus who you project on the outside. That disconnect narrows dramatically when somebody sees you, understands you, accepts you and loves you. It’s transcendent.

Bryan Fuller

crisisoninfintefandoms:

“…These cases have a grandiosity to them that is above and beyond what you would think you would see in a crime procedural but employs art and beauty. So that when you’re looking at them, you’re not horrified by the gore overwhelmingly so, but you can take in the gore and the beauty simultaneously, which kind of puts people in Will Graham’s perspective, where he’s looking at things and seeing them for their beauty and mechanics as well as the viciousness of a killer’s work and how that can be confusing and corrupting at the same time. There are many reasons why we did that: A) for the cinema of it, and B) for the psychological horror. It’s like when you look at something, it’s almost as if it were just blood and guts, it would be easier to turn away and go, “That’s horrible,” but if you show somebody an image that’s beautiful, and you look at it more closely and see that the only way to create that image is from terrible suffering… [Laughs.] It’s a very confusing suggestion to put in the human mind.”

— Bryan Fuller perfectly explaining why the imagery in Hannibal is so effectively disturbing, and why we feel so strongly for Will Graham (besides Hugh Dancy’s amazing acting)

amatesura:

Hannibal season 1: A Taste for Killing