Out (2020)

A Pixar short movie directed by Steven Clay Hunter

filmreel:

Too much garbage in your face? There’s plenty of space out in space! BnL Starliners leaving each day, we’ll clean up the mess while you’re away!

WALL-E (2008)
dir. Andrew Stanton

naratemari:

*smol Merida*

danielhowall:

pit bulls aren’t evil. they just want to be loved.

ashlasagna:

making baozi from bao directed by domee shi

bobbelcher:

First Look at Incredibles 2 (2018)

“Incredibles 2 picks up, literally, where the first film left off, with Mr. Incredible and Elastigirl battling The Underminer, while Violet and Dash are stuck with babysitting Jack-Jack,” says writer-director Brad Bird. “That’s all we’re saying for now,” Bird continues, “but rest assured, there are a lot more superheroics in store for our ‘family dynamic.’” On the plot front, a chain of events in Incredibles 2 sends Elastigirl into the center of the action while Mr. Incredible, at home in the family’s sleek new hideout headquarters, must contend with baby Jack-Jack’s burgeoning new powers. “Helen’s appetite for adventure comes to the fore,” says Holly Hunter. “Whereas before, she was driven to become Mrs. Incredible out of necessity, where she went into it to save her husband, I think this time she really meets her own ambition head-on. The ambition of being an adventure is something that we get to explore.”

tantefledermaus:

grims-hourglass:

Ok the reason this is one of the best scenes I have ever seen in a movie is because they immediately establish Colette’s tough personality as traits of a boss NOT a bitch. Unlike far too many films (children’s and adults), this lead female doesn’t try to make herself stand out by saying something that undermines other women like “I’m not like most women who spend half the day worrying what they look like” or “I don’t sit around playing with makeup and dolls”. I am so sick of seeing female characters that are written as being proud of being strong, brave, or courageous despite them being a woman. AS IF BEING A WOMAN IS A HANDICAP AND THEY BEAT THE ODDS. Colette straight out calls the patriarchy and establishes the system between her and her subordinate. At the end she isn’t portrayed as bitchy, but as a leader, and Linguine is impressed, not put off. If a man is tough and takes no bullshit, he is admired and considered a strong leader and boss. If a woman does the same she is considered out of line, bossy, and bitchy.

Here, Colette is an immediate leader, and does not try and undermine herself or other women in order to prove that she is charge.

Colette is seen as the boss, not seen as bossy.

briannathestrange:

Mum? So I’ll just tell them the wedding’s off, then?